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Does the director tell the actor what to do?

Does the director tell the actor what to do?

Unlike the orchestral conductor, to whose aims the theatrical director’s are closely analogous, he cannot control actual performance. Neither can he, except rarely, tell his actors precisely and in every detail exactly what he wants of them.

What makes a great acting performance?

The very best actors have good technique and exceptional talent. Acting techniques, like projecting your voice and movement on stage, can be learned and finessed, improving any talent. Great actors put aside their own personalities, and find humanity in even the darkest of characters.

What makes an exceptional actor?

Natural ability will get you so far, but it’s the trained actors who know what they’re doing and how they’re doing it and can produce that emotion take after take. To fully transform into a character, to be truthfully and emotionally connected needs hard work, technique, good direction.

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How do you critique acting for an article?

As you critique acting for an article or paper, make sure you use the proper terms. Understand the difference between stage right and stage left, and know how actors are trained in order to put yourself in the right mindset. Actors are trained in voice, diction, characterization, interaction with the other characters and movement.

What are the technical aspects of film acting?

The technical aspect of film acting is often overlooked by actors. However, if you know a couple of basics you will be able to take on a film set. One of the most important aspects of film acting is knowing how to hit your mark.

What makes an actor a good actor?

Actors are trained in voice, diction, characterization, interaction with the other characters and movement. Decide if you are moved by the performance. If you find yourself thoroughly enjoying the performance, take a step outside of the acting and look at the individual things the actor does that pulls you in.

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How do you write a good performance analysis for theatre?

Think about characterisation and how this was achieved – voice, gesture, body language and so on. Be specific about what an actor did at a particular moment to have an effect on the audience and communicate effectively. Analyse movement around the space and what it communicated and consider the use of stillness too.