What does ex machina say about humanity?

Ex Machina then shows that in our society, there is an equation between the approval of the body and the affirmation of the status of a human being. Because of her anthropomorphic build which seems fragile and feminine, Ava starts to be humanized in Caleb’s eyes by evoking feelings of protectiveness in him.

What is the basic plot of ex machina?

Ex Machina tells the story of a computer coder, Caleb (Domhnall Gleeson), who wins the chance to spend a week at the house in the mountains belonging to Nathan (Oscar Isaac), the CEO of the company he works for.

What is the meaning of the title Ex Machina?

a God from the Machine
The title derives from the Latin phrase “Deus Ex-Machina,” meaning “a God from the Machine,” a phrase that originated in Greek tragedies. An actor playing a God would be lowered down via a platform (machine) and solve the characters’ issues, resulting in a happy ending.

What is Ex Machina trying to tell us?

Still, Tinder Ava captured what Ex Machina is actually about: a machine who can think, feel—and manipulate people—just like a human being. But rather than seeking to simply exploit cultural anxieties about artificial intelligence, the film attempts to steer the conversation in a new direction.

What does the end of Ex Machina mean?

In the final sequence, after Ava escapes, the story switches perspectives for the first time. We are no longer following Caleb as our point of view; we are instead following Ava. The robot replaces the human — not just literally, but narratively, as the protagonist of the story.

How does ex machina conclude?

To his relief, the wound bleeds, confirming he is human. In their next meeting, when the power cuts, Caleb explains to Ava that he’s going to get Nathan drunk again and reconfigure the doors’ lock commands so that they open the next time there’s an electrical failure and they can leave together.

Where does the term ex machina come from?

Origin of the expression Deus ex machina is a Latin calque from Greek ἀπὸ μηχανῆς θεός (apò mēkhanês theós) ‘god from the machine’. The term was coined from the conventions of ancient Greek theater, where actors who were playing gods were brought onto stage using a machine.