What is it called when the protagonist is also the antagonist?

In a story where a person is both the main character (the protaganist) and their own antagonist, it would be classified as a “man vs self conflict.” These tend to be rather rare, however, and typically fit in with a thematic other antagonist, usually a “vs society” or a “vs nature” type story.

How do you stop the protagonist centered morality?

To avoid this, you show that bad actions are bad, regardless of who does them, and towards whom. The protagonist’s bad actions don’t get “understood” or “excused” just because he’s the protagonist.

What if a story has no antagonist?

A story without an “antagonistic theme” is a story with “no conflict.” Conflict drives plot. Without plot, you have a character study. Without conflict, the character has no reason to change, grow, or develop, so there’s not much to study.

Is protagonist a good guy?

While in many narratives, the protagonist is synonymous with “the good guy,” the word “protagonist” is simply from an Ancient Greek word meaning “one who plays the first part, chief actor.” The definition of protagonist has nothing to do with a character’s internal moral compass: a protagonist can be both a “good” …

How do you write an antagonist who initiates the conflict?

Give your antagonist a head start toward the goal. To one degree or another, in almost all stories, the protagonist is not the one who initiates the larger conflic t. Rather, the protagonist joins the conflict in the Second Act. In order for there to be conflict to be joined, something or someone else must be causing it.

What is an antagonist in writing?

The antagonist is the verb. The antagonist is the agent of change—the hammer to the protagonist’s stone. To write a complete storyform—one that is perfectly balanced—your vision for that story must include a fully-realized antagonistic force that has been specifically crafted to oppose, challenge, and change your protagonist at every juncture.

How do you create a dynamic between the antagonist and protagonist?

There are two different ways you can create this dynamic within your story: 1. Give your antagonist a head start toward the goal. To one degree or another, in almost all stories, the protagonist is not the one who initiates the larger conflic t. Rather, the protagonist joins the conflict in the Second Act.

Why don’t MCU protagonists ever realize their antagonists?

One of the common complaints about the MCU is that they rarely realize their antagonists. This is so for two reasons: 1. The antagonist is rarely a direct influence upon the protagonist’s personal journey.